Soviet censorship was not imposed in Eastern Europe until the late 1940s, and interwar Poland had been a hotbed of avantgardism, but Witkacy was in St. Petersburg during the 1917 Revolution, was interested in Futurism and Mayakovsky, and followed events in Russia before Communism came to Poland.
WHAT: WITKACY: POLAND’S PRE-COMMUNIST AVANTGARDE REACTS TO STALINISM
WHEN: Thursday, April 7, 2016 at 7pm
WHERE: Mid-Manhattan Library
455 Fifth Ave, New York
1st Floor, Corner Room
FREE ENTRY
MORE INFORMATION: http://polishculture-nyc.org/index.cfm?eventId=2523
This talk will consider Witkacy’s work in the 1930s, primarily his play, The Shoemakers: Three Little Songs (1934), as a response to the Soviet production narrative, characterized by epic tales of Socialist industry. Witkacy’s views of totalitarianism are probably best articulated in his darkly satirical novel Insatiability (1930), where he envisions a future in which Communist-Fascists from the west and an oriental drug cult from the east struggle for world domination, stamping out individualism and turning the hero into an automaton.
The Shoemakers appears in the same year as Soviet director, Dziga Vertov’s film, Three Songs of Lenin. Witkacy may not have seen the film, but the film was widely advertised, so he may have alluded to Vertov’s film as a satirical gesture toward socialist art before he knew its precise content.
David A. Goldfarb (PhD, CUNY, 1999) has served as Curator of Literature and Humanities at the Polish Cultural Institute New York, and taught at Barnard College (Columbia University). He has published on Polish and Russian literature in a range of academic journals and anthologies.
Witkacy: Poland’s Avantgarde Reacts to Stalinism Before WWII has been organized by the Mid-Manhattan Library in cooperation with the Polish Cultural Institute New York.
Polish Cultural Institute New York:
Magdalena Mazurek-Nuovo
[email protected]
212-239-7300 x 3006
Sean Bye
[email protected]
212-239-7300 x 3002
